I was a stage manager, production manager, technical director, lighting designer, and lighting and audio-visual technician. And I worked with some of the best experimental artists of the time — OK, I’ll say it — of all time. (Many are still pushing the boundaries and creating great work.) I dug up an old resume, which lists some of my responsibilities in each of the positions just mentioned.

A short list of artists and organizations I’ve worked with (dates of collaboration):

Sarajevo Film Festival (1998-2002)
http://www.sff.ba

Sarajevo Center for Contemporary Art (1997-2003)
http://www.scca.ba/e_main.htm

Jo Andres, Before Your Eyes (dance, film) (1987-96)
https://joandres.com/about/

Obala Art Centar (1991-95)
theater, art, music
Sarajevo, Bosnia and Herzegovina (now the Sarajevo Film Festival, see above)

Streb Ringside (1990-93)
http://www.streb.org/

Circus Flora (1992)
http://www.circusflora.org/

Conway and Pratt (1989-91)
http://www.conwayandprattprojects.org/

The Wooster Group (1985-90)
http://thewoostergroup.org/

No Theater (1986-91)
http://www.apearts.org/umbrella-groups.html
(2013 article)

Richard Foreman, Ontological-Hysteric Theater (1985-93)
http://www.ontological.com/

Mabou Mines (1983-86)
http://www.maboumines.org/

Women’s Interart Center, NYC (1981-82 academic year, college-credit internship)
Chapter in Women in American Theatre (free preview via Google Books)

Production Workshop (student-run theater) (1979-83)
http://pw.brown.edu/